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Thursday, December 06, 2018
6:30 pm – 8:00 pm
Italian Institute of Culture – Melbourne
233 Domain Rd, South Yarra
Entrance free but RSVP essential.
E: email@example.com; T: (03) 9866 5931
This film portrays the deep change brought on by the sexual revolution and the feminist movement in Italy during the 1960s and 1970s. It looks again at recent events from a female point of view, through the first-hand accounts provided by the diaries of three women. Anita, Teresa and Valentina come from different Italian regions and different social backgrounds, but share the same feelings: they no longer feel part of a society based on the patriarchal family, on the power of “husbands” and on the supremacy of males, which requires them to be efficient mothers, obedient wives and virtuous daughters.
The film will be preceded by a brief introduction by Dr Mirna Cicioni, Honorary Research Fellow, Monash University and Dr Alex Martinis Roe, Head of Sculpture, ANU School of Art & Design.
Alina Marazzi (born in 1964), lives and works in Milano, Italy. A documentary film director. Has worked as assistant director for feature films and video art projects. Her critically acclaimed “Un’ora sola ti vorrei” won best Italian documentary at the 2002 Torino Film Festival, and received special mentions by the jury at the 2002 Locarno Film Festival and at and at the international It’s All True Festival in São Paulo in 2003.
Mirna Cicioni worked for 27 years as a professor of Italian Studies at the Universities of La Trobe and the University of Melbourne. Mirna worked for 12 years as a community interpreter in the Melbourne area and has published articles on women’s movements in Italy, an introductory monograph on Primo Levi, and various articles on post-WWII Italian Jewish writers. At the moment Mirna is working on an article on Italian westerns.
Free Public Lecture by Simonetta Agnello-Hornby
Monday, 12 November, 2018
5:30 pm – 6:30 pm
Arts West, Parkville Campus
University of Melbourne
In this lecture, Simonetta Agnello-Hornby gives her perspective on The Leopard, its author Giuseppe Tomasi di Lampedusa and the role the novel has played in representing Sicily and its culture in Europe and beyond. She addresses three key questions: Have Italians, or some of them, or other Europeans changed their view and approach towards Sicily and Sicilians? Has the success of Visconti’s 1963 film had a greater effect on the image of Sicily abroad and in Sicily itself, than the book? Has the impact of gattopardismo benefitted Sicily economically and socially?
Multi-award winning author, Simonetta Agnello-Hornby was born in Palermo and has spent most of her adult life in London. Her debut novel La Mennulara/The Almond Picker was published in Italy in 2002 by Feltrinelli. Translated into more than ten languages, it shortly became an international bestseller. Following the success of La Mennulara, she has published several novels such as, La zia Marchesa/The Marchesa, 2005; Boccamurata, 2007; Vento Scomposto, 2009; La Monaca/The Nun, 2010; 8Il veleno dell’Oleandro, 2013; *Caffè amaro, 2016 and various memoirs, short stories, and non-fiction works. In 2016 she was awarded the Order of the Star of Italy in the rank of Grand Officer by the President of the Italian Republic. In November 2018, the publisher Feltrinelli will launch the graphic novel version of La Mennulara, created in collaboration with comic book artist and illustrator Massimo Fenati.
Presented in conjunction with and the support of The School of Humanities and Social Sciences at La Trobe University and The School of Languages, Literatures, Cultures and Linguistics at Monash University.
For further details, contact markdn[at]uniumelb[dot]edu[dot]au
An evening of traditional folk songs starting with the 16th January – when the Fòcara (the Bonfire) is set alight, leading through to the traditional beginning of the winter solstice – 11th November, then the Christmas/New Year celebrations,and ending with Epiphany – 6th January (the Twelfth Night).
Throughout these festivities, a group of singers would visit the houses and homesteads scattered in the countryside and ask for food and drink in exchange for the performance of the songs. Let’s travel to some little town in Italy; sharing our world with friends – eating, drinking and singing … and be ready to dance to unforgettable folk tunes!
Presented by the Italian Folk Ensemble.
Fullarton Park Community Centre
411 Fullarton Rd, Fullarton
6:30pm for a 7:00pm start
Saturday, 10th November 2018
$25 per person – includes Italian coffee & libretto with the original texts also translated into Italian and English.
BYO food to share with friends and others.
For tickets contact Dino on 8271 1929.
The Italian Folk Ensemble has been researching and performing traditional and popular songs of the Italian people, fully respecting their individual musical style and their cultural context. These songs cover a wide spectrum of emotions and experiences of the people of Italy through the ages; as such they are a unique medium to learn Italian culture and history. The Ensemble acknowledges the legacy that Antonio Comin has left within its rank. His passion for research and presentation of Italian culture is reflected in tonight performance.
The project Exploring the legacy of the Italian language across generations of women of Italian origin was presented on Sunday 11 February 2018 in the beautiful setting of the Migration Museum in Adelaide, South Australia, a museum that collects important documents and testimonies of emigration in South Australia.
During the event there were speeches from Mandy Paul, Director of the Migration Museum; Daniela Costa, President and Editor of Australia Donna; Dr. Roberta Ronzitti, Consul of Italy in South Australia, and the Honorable Grace Portolesi, President of the South Australian Multicultural and Ethnic Affairs Commission who officially launched the project.
Ian Gibbins was in charge of all technical aspects of the presentation.
Australia Donna and the distinguished guests from the community and the field of education greeted and congratulated the women who took part to the project.